By John Foxe
John Foxe used to be a sixteenth century English historian most sensible identified for writing Foxe’s ebook of Martyrs which supplies an in depth account of Christian martyrs all through Western history.
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Extra resources for Fox's book of martyrs, or, a history of the lives, sufferings, and triumphant deaths of the primitive Protestant martyrs
I wish I knew for sure, but it has something to do with the purpose of the art, which is not for its own sake but for the sake of the higher purpose of liturgy itself. Here was the source of unity, a common purpose that required submission to the true source of beauty. The ego is necessarily buried in the form of music we were involved in making. Gregorian chant and its stylistic descendents were created not to show off but rather to serve, and those who sing it absorb that sense of service, seeing themselves not as the creators of music but merely as privileged instruments through which the music was given voice.
The Sanctus issue mostly concerns the polyphonic rendering, which has been part of the Church’s music for 1000 years. Some people proposed depreciating it at Vatican II but that was specifically ruled out by those who drafted Sacrosanctum Concilium. Its Strategy 37 permissibility was reinforced in Musicam Sacram in 1967. Cardinal Ratzinger wrote extensively in defense of the polyphonic Sanctus. As Pope, he presides in many ordinary form Masses with a polyphonic sanctus. And yet if you suggest it in your parish, there will be a blizzard of objections, and someone at some point will cite the ambiguity in the General Instruction.
These productions came complete with t-shirts and advertising blitzes. We sang Handel and Mendelssohn, and our ideal was driven by visions of brass choirs on balconies and hundreds of voices singing praises. The more the better was our motto. Strategy 39 Then one day in my early 20s I stumbled into a Catholic Mass in which a single priest who was in his 80s chanted the Mass from the altar. There were no instruments. His voice was weak and old. His pitch was uncertain. There was no choir, no pomp, no advertising, no t-shirts, and the people who attended—mostly poor people—mostly just knelt and prayed as the simple notes were chanted by the celebrant.
Fox's book of martyrs, or, a history of the lives, sufferings, and triumphant deaths of the primitive Protestant martyrs by John Foxe