By R. Larry Todd
ISBN-10: 0195180801
ISBN-13: 9780195180800
Granddaughter of the thinker Moses Mendelssohn and sister of the composer Felix Mendelssohn Bartholdy, Fanny Hensel (1805-1847) used to be a rare musician who left good over 400 compositions, so much of which fell into oblivion till their rediscovery overdue within the 20th century. In Fanny Hensel: the opposite Mendelssohn, R. Larry Todd bargains a compelling, authoritative account of Hensel's existence and track, and her fight to come to be a publicly famous composer.
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Additional resources for Fanny Hensel: The Other Mendelssohn
Example text
11 Nevertheless, later in life her intellect and bearing made quite an impression; in 1875, the physician G. F. L. 12 According to the music theorist A. B. ”13 Musically Lea was quite sophisticated. The mother of Giacomo Meyerbeer, Amalie Beer, found that Lea possessed “much musical knowledge,”14 and Marx detected in her resonances of Johann Philipp Kirnberger, the bookish music theorist employed by the Prussian princess Anna Amalia with whom Moses Mendelssohn had had some lessons. In a formidable treatise, The Art of Pure Composition (Die Kunst des reinen Satzes, 1771–1777), Kirnberger had summarized the didactic method of his own teacher, none other than J.
Following his teacher in 1804 to St. Petersburg, he had developed a Russian market for Clementi’s pianos and formed a friendship with another expatriate Clementi disciple, the Irishman John Field, the first composer of piano nocturnes. 67 Safely returned to Berlin, Berger gave a successful concert in 1814, but an arm injury forced him to abandon his virtuoso career in favor of teaching. Despite suffering too from hypochondria, Berger was a highly sought-out pedagogue who commanded the highest fees in Berlin.
13 Musically Lea was quite sophisticated. The mother of Giacomo Meyerbeer, Amalie Beer, found that Lea possessed “much musical knowledge,”14 and Marx detected in her resonances of Johann Philipp Kirnberger, the bookish music theorist employed by the Prussian princess Anna Amalia with whom Moses Mendelssohn had had some lessons. In a formidable treatise, The Art of Pure Composition (Die Kunst des reinen Satzes, 1771–1777), Kirnberger had summarized the didactic method of his own teacher, none other than J.
Fanny Hensel: The Other Mendelssohn by R. Larry Todd
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