By Douglass Shand-Tucci
The 1st significant biography of Ralph Adams Cram (1863-1942), America's maximum church architect, this ebook deals a portrait of America's earliest avant garde, Boston's little identified fin-de-siecle bohemia, within which Cram figured as chief, editor, artwork critic, poet, and clothier. Disclosing for the 1st time the pivotal contribution of Boston's rising homosexual way of life to New England's highbrow and cultural heritage, Douglass Shand-Tucci explores the connection among inventive creativity and sexual orientation and among homosexuality and excessive Church Anglicanism. the 1st of 2 volumes, this research makes a speciality of Cram's early architectural and literary paintings.
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Additional resources for Boston Bohemia, 1881-1900: Ralph Adams Cram--Life and Architecture
Second, and following naturally upon the Greek theme, was the gay subtext. '' 24 Both subtexts, Greek and gay (not unrelated), will be more important in the long run here than the aesthetic movement itself, whose pedigree we must not, however, for that reason lose sight of: for it was the Pre-Raphaelite who was reconstituted (at Oxford in the late 1870s; in America in the early 1880s) into what in Ralph Adams Cram's youth was increasingly called the aesthete, and the aesthete, in turn, who in the 1890s would be reconstituted into the decadent.
Page 8 3a, b. One of a series of studies of 1882 by Cram in his second year of apprenticeship, these studies are his first known published works, at the age of eighteen. Page 9 4. Four years after his first published designs and sketches of 1882, Cram had become so skilled as to produce this superb perspective of Rotch and Tilden's design for the Church of the Holy Spirit, Mattapan, Massachusetts. " That Ralph Cram was not easy to get on with, thus frustrated, seems clear. " The partners' designs scarcely pleased Ralph more.
It was the former who was the originator of the psychological tales that must keep company here with the religious and architectural ones already told. When still a senior at Simmons College, my mother met a Harvard undergraduate, John Tucci, who before they were married went on to Tufts Medical School, my Page xv mother meanwhile taking her bachelor's degree in medical administration. As she began, so she continued; aside from music, medicine was really the center of everything in my mother's life and by the time I was a boy, she, not content with having run the practice of my father (chief of anesthesiology at the Massachusetts Eye and Ear Infirmary), continued in this vein after they were divorced, performing a similar service for two Back Bay psychiatrists.
Boston Bohemia, 1881-1900: Ralph Adams Cram--Life and Architecture by Douglass Shand-Tucci